Collections
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Colio was raised in Kazanlak, Bulgaria. At age 13, he was sent to a school for fine arts, securing one of the few coveted spots available for the truly talented, despite his parents’ lack of political connections in what was, at that time, communist Bulgaria. He was later chosen solely on merit to attend the College of Fine Arts. Upon graduation, he went on to the National Academy of Fine Arts in Sofia. After the fall of communism, Colio was able to leave Bulgaria and support himself through his art in the West. His works are shown throughout Europe and the United States today.
Colio
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Lisa Cuscuna studied photography and painting at The Cooper Union in New York. Though influenced by other painters such as Helen Frankenthaler, Paul Jenkins, Turner and Van Gogh, she has developed a unique way of pouring backgrounds to look like landscapes and beaches, to which she then adds detail with pallet and brushwork. She loves the way poured paint takes over and creates layers of textures and surfaces as it runs over more solid applications of paint.
Cuscuna, Lisa
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Joe Davis is a painter, illustrator and graphic artist whose work has been exhibited in New York, Los Angeles and Tokyo, among other cities. His Tokyo exhibitions include several installations with Seibu as well as the American Pop Culture Today exhibition at the Laforet Museum. Davis’ work can also be found in many collections and has appeared in publications including The New Yorker Magazine and The New York Observer. It was also featured in the film Batteries Not Included. His animation has been broadcast on Nightline and included in numerous festivals.
Davis, Joe
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Born in Russia, Ekaterina Ermilkina graduated from the School of Art of F. Vasiliev in 1991 and received her M.F.A. from the State Art and Industry Academy in 1998. Saint Petersburg inspired her to paint cityscapes. When she moved to the United States, seeing skyscrapers for the first time had an enormous impact, and the effects continue to reverberate in her subjects and technique. Modern pointillism was also a revelation. She applies distinct dots of color with a palette knife, building a pattern that can only be seen from a distance and blended in the eye and mind of the viewer. This stippling technique allows subtle gradation of color, allowing her to create great depth and dimension to capture the interior nature of her subjects.
Ermilkina, Ekaterina